Scott Page
Scott Page is the founder of Interface Studio, a collaborative design office based in Philadelphia.
Contributed 46 posts
Scott Page is an urban designer and planner with degrees from the University of Pennsylvania and Georgia Tech. His experience in neighborhood design, city-wide housing strategies, waterfront planning, downtown revitalization and economic development has resulted in innovative and achievable strategies for a diversity of public, non-profit and private clients. Scott's design process merges creative grass-roots planning with a focus on sustainable development and design. His project work has been featured in 306090, CITY, The Journal of Urban Technology, Salon, The Philadelphia Inquirer and, most recently, in Crossover: Architecture Urbanism Technology, by 010 publishers, Rotterdam.
Scott founded Interface Studio in 2004 to explore the relationship between urban design and information technology. Today, the firm is engaged in a wide range of assignments including work in Philadelphia, Chicago, Rochester and Camden. Scott is also a lecturer at the University of Pennsylvania's School of Design.
All Hail Paterson (and other overlooked mid-size cities)
<p> <span style="font-size: 9pt; font-family: Verdana">Paterson</span><span style="font-size: 9pt; font-family: Verdana">?<span> </span>Yeah <a href="http://www.patersonhistory.com/">Paterson</a>, the City 13 miles to the west of NYC.<span> </span>Birthplace of American industry, the “Silk City” founded by Alexander Hamilton and designed by Washington DC’s master planner Pierre Charles L’Enfant.<span> </span>Besides textiles, Paterson was home to the first repeating revolver, first submarine and the Rogers Locomotive Works that, at one time, manufactured 80% of the Country’s locomotives.<span> </span>Paterson is also home to the second largest waterfall in the northern hemisphere (Niagra Falls taking top honors of course) and a collection of foreign born residents so lar
Stuart Smalley was a planner!
<span style="font-size: 9pt; font-family: Verdana">One of the perks of my job is getting to know new cities and neighborhoods.<span> </span>We research, create a lot of graphics and talk with a lot of people.<span> </span>In the course of those discussions, while people often exhibit pride in where they live, there is also an underlying concern that frequently goes something like this:</span> <ul> <li><span style="font-size: 9pt; font-family: Verdana">“We feel like a last place team – the one that can never get out of the cellar.”</span></li> <li><span style="font-size: 9pt; font-family: Verdana">“There is a real self-image problem here.”</span></li> <li><span style="font-size: 9pt; font-family: Verdana">“You can’t do that in [insert name of place here] because we
'Reality's' Reveal
<p style="margin: 0in 0in 10pt" class="MsoNormal"> <span style="font-size: small"><span style="font-family: Calibri">With the Olympics nicely coinciding with my vacation, I think I’ve watched more coverage of the games than the average human should.<span> </span>Prior to the start of the games, I followed with interest the story of how Beijing was re-fashioning itself to host the games.<span> </span>Much has been written on this subject from the loss of the city’s “<a href="http://www.slate.com/id/2196883/">hutongs</a>” to the “<a href="http://featuresblogs.chicagotribune.com/theskyline/2008/08/behind-beijings.html">distorted</a>” messages conveyed by the starchitecture.<span> </span>Some have referred to Beijing as a “Houston on steroids.”<span> </span></span></span>
A Journalistic View of Cities
<p> <span style="font-size: 9pt; font-family: Verdana">I was reading the New York Times Magazine special architecture issue a few weeks ago when something jumped out at me.<span> </span>On the intro page to the issue of the “Mega-Megalopolis” one of the by-line says “How does an architect plan for a city with no history?<span> </span>Or a city that just keeps growing?”<span> </span>Interesting questions particularly given the fact that to charge architects with the task of planning our cities is affording too much power to a profession that simply doesn’t have it.<span> </span></span> </p>
End Powerpoint Abuse
<p> <span style="font-size: 9pt; font-family: Verdana">We’ve all been subject to them – the endless powerpoint presentations that extol the worst aspects of animated text and mind-numbing bullet points.<span> </span>While Edward Tufte has written about the <a href="http://www.wired.com/wired/archive/11.09/ppt2.html">horrors of powerpoint</a>, I see it as just a tool and like any tool it can be used wisely or poorly.<span> </span>After all, David Byrne, the former Talking Heads front man, makes <a href="http://www.davidbyrne.com/art/eeei/index.php">art with powerpoint</a> so it can’t be all bad.<span> </span>But one thing struck me at the American Planning Association’s (APA) conference two weeks ago:<span> </span>some sessions would have been much better if the powerpoint presentation (or abuse thereof) didn’t get in the way.<span> </span>In actuality, some of the best presentations I attended didn’t use powerpoint at all.